Buy The Piece You Need. Keep It For Good.
No subscription, no trial that turns into a charge, nothing to cancel. Every item is a one-time payment and stays on your account permanently.
Best value
Everything below, in one purchase.
Playbooks
How to run the channel, not just how to make the video. One sitting each, and nothing in them expires.
One sitting, free tools only, from blank page to a finished video.
Prompt Packs
Tested prompts, cut by what you are generating with. Paste them into the tool you already pay for.
AI Image Prompts for Faceless Channels
Every still-image prompt in the library, in one pack.
AI Video Prompts for Faceless Channels
Every motion prompt in the library, for Veo, Kling, Sora and Runway.
Content Ideas That Work Anywhere
Six hundred video ideas, written to survive a change of niche.
Hooks For The First Three Seconds
Four hundred and eighty openings, and why each one works.
Thumbnail Templates For Faceless Channels
Editable thumbnails built for the formats these channels actually use.
Prices in US dollars. Every purchase is permanent and non-recurring. Digital goods, so read the refund policy before you buy.
Everything here is bought once.
There is no plan to choose and no allowance to spend. Buy a playbook or a pack, and it is on your account from the moment payment clears. Add another whenever you want one.
You pay once
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It lands in your library
The moment the payment clears, it is on your account. No email, no download link, nothing to activate.
It stays there
Permanently, including every update we make to it later. Nothing recurring, nothing to cancel.
From People Who Actually Started.
Every quote here is from someone who bought a kit and used it. We ask them one question: what were you doing before, and what are you doing now?
I had a folder of half-finished drafts and no idea which one to actually make. Sat down with this on a Sunday and posted something the same night, which had not happened in months.
Atharv Funde, on the PlaybookThe part that stuck with me is how much it refuses to pad. It is one video, it says the thing, and then it stops. I have paid more for less.
Maitreya Kulkarni, on the PlaybookThe prompts are the bit I did not expect to matter. I had been writing my own and getting mush, and these already say the light and the lens, so the first generation is usable.
Setu Gangan, on the Image PromptsWhat I was actually buying was not having to decide what to make on a Tuesday when I am tired. It has been worth it for that alone.
Anush Dhavale, on the Content IdeasWatched it in one sitting with the editor open beside it. Paused twice. That is genuinely the whole review.
Atharv Golait, on the PlaybookThe motion prompts saved me the most time. I was describing shots badly and burning credits on retries; now I paste and it is close enough to keep on the first go.
Swapnil Shinde, on the Video PromptsI liked that it tells you where the free tier is genuinely enough and where it is not. Nobody else does that, because saying it costs them the affiliate link.
Shrinivas Jagdale, on the PlaybookNot magic, and it does not pretend to be. It removed the part where I sat looking at an empty timeline, and that was the part that was stopping me.
Dhananjay Kakade, on the Content IdeasI went in expecting a course I would never finish. Two evenings later I had a channel with something on it, which is not how any of the others went.
Mohit Chava, on the PlaybookThe hooks pack is the one I keep open in another tab. I do not use them word for word, I use them to work out what shape the opening should be.
Mridul Rahangdale, on the HooksEverything is written as if you already have a job and about an hour. That sounds small and it is the reason I finished it.
Darshit Anadkat, on the PlaybookI stopped halfway through my first attempt at this last year. The difference was having something that tells you what to do next instead of what is possible.
Harsh Narula, on the PlaybookI had tried the free videos on this for a year. The difference here is that it assumes you are going to actually publish, so it tells you the boring parts too.
Anish Sunilkmar, on the Playbook